a.P.A.t.T. first e.p.

aPAtT aPAtT EP (aPehAt).

Those preferring their sounds a little more irregular, viscerally challenging and against the flow may feel obliged to check out the debut release from Liverpools aPAtT. Described to me in passing as a release that the band thought Id be doing everyone a favour by hearing with the added proviso sounds like nothing from Liverpool, (or for that matter a several plays), like nothing in the world. APAtT it seems forego the usual subtleties of trying to woo the listener and win them over, instead they arguably provide more questions than answers with their awkwardly channelled fusion of out there art rock, drone montages, film samples, hip hop (as evidenced on the streetwise sample menace of My nuns door theme), mallowy electronics and bleached psyche folk (though Id hastily add not all at the same time).

This particular EP is the bands debut with a new batch of songs eagerly waiting in the wings for a release date. Occupying the shadowy sub divide that vaguely links the curious netherworlds of Volcano the Bear and the new age travelling doom drone friction folk of the Sunburned Hand of the Man with the oddball melodic anarchy of Zappa especially on the hauntingly numb Loneley and the parting shot a passing and yet shows their willingness to lead the viewer into a guessing game, their sounds bounce erratically from the odd to the eerie to the devastating without no heed or attention to form or principle, at times its reminiscent of a freeform jam, maybe a tuning up session whatever you may call it theres no denying that there is an explosion of ideas at large within which ultimately means that just when you think you have the measure of them they spice up the mix to throw you off the scent.

The dreamy Nice II prickles softly like some kind of drunken space symphony, equally ethereal and warped, either that or Satie having chemically assisted flashbacks, and if you get over the monastic moment, probably the most together cut here. Elsewhere the aforementioned Loneley belies a subtle film noir cast that invites you to check, not only under the bed but also under the stairs, behind the door, in the closet and is perhaps best resolved by listening to it in the hours of daylight outside preferably somewhere where there are plenty of people about.

Idi is strangely up tempo and jiggly with it while grindcore meets thrash meets Melt Banana surfaces on broken elbow only to be laced with all manner of menacing head melting psychotic overtones. Consider yourselves well and truly warned. Deeply deranged and cleverly obtuse to be filed under strange species pop.

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